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Showing posts with label best product design. Show all posts
Showing posts with label best product design. Show all posts

Thursday, June 10, 2010

Modern Meyerhoffer Surfboard Wins Presitigious Design Award



above photo by Daniella Zalcman for NY Times

American Thomas Meyerhoffer has won Australia's 2010 International Design Award for his groundbreaking surfboard design.


above image courtesy of Quality Peoples

Evolution? Revolution? Future surfing solution? The Meyerhoffer is possibly the most radical design innovation in longboarding for a generation.

Maverick designer, Thomas Meyerhoffer, is renowned for his innovative product designs including the ground breaking eMate. His quest was to merge industrial design processes with his passion for surfing.

Using the natural world as an inspiration, “the resulting shape is organic and fluid which seems to fit the wave better. Instead of surfing the wave, the wave surfs you. The board integrates with the wave seamlessly. You become one with the wave.”


above: World Champion surfer Jen Smith on the Meyerhoffer board


above: the radical board design has an hourglass shape

The purpose? “The three main sequences of longboarding – turn, glide and nose riding – are pushed to a higher level. The shape with its different sections has been designed to give you something unique. The total experience is a board that is faster, turns better and delivers a higher level of surf experience”



All boards are constructed in SLX to ensure maximum responsiveness. We have glassed all boards with white tinted epoxy resin. They have 2 x 6oz on deck and 1 x 4oz bottom with a 6oz patch on the fin area. We give the boards the gloss polish finish and they come standard 6” or 8” Centre fin and FCS side fins.

Thomas describing his design:



Designer Cynthia Rowley collaborated with Meyerhoffer for these limited edition versions of the Meyerhoffer board.





Purchase the Cynthia Rowley Roxy Meyerhoffer boards here.

Other examples of some custom Meyerhoffer boards:



The actual press release (with images added by me):
The Meyerhoffer Rides Away with The Australian International Design Award 2010
June 7th

The most radical design innovation in longboarding for a generation - the Meyerhoffer Surfboard last night won a very prestigious Australian International Design Award!

The Australian International Design Awards, a division of Standards Australia, is recognised by the Commonwealth Government and the International Council of Societies of Industrial Design [ICSID] as Australia's peak design assessment and promotion body, and for its important role in fostering a culture of design and innovation in Australia. The judges said the board was a ''major design innovation'' that would create ''global shockwaves''.


above: surfer Belinda Baker rides the Meyerhoffer

Manufactured by Global Surf Industries (GSI), this ultra-modern take on the traditional Longboard by world renowned industrial designer Thomas Meyerhoffer brought design excellence into the realm of the everyday surfer last year, increasing the ultimate experience. The groundbreaking design propelled surfing into mainstream consciousness around the world.


above: surfer Michael Wallace rides the Meyerhoffer

Designer of this radical surfboard, Thomas Meyerhoffer, was "over the moon" about receiving the prestigious award. "To be recognised in a country where surf culture rules and is part of everyday life for so many people, is truly special", said Mr. Meyerhoffer.


above: Surfer Mark Kelly with the board, courtesy of Sydney's Daily Telegraph

"I owe many thanks to Mark Kelly of GSI for his vision and surfing skills. Almost two years ago now Mark tried a Meyerhoffer prototype and was convinced that he was surfing better than ever! Now because of Mark, the board is surfed and enjoyed by many surfers worldwide. I'm a proud winner of an Australian International Design Award, but I ultimately hope that the endorsement from the award will make more people to try the board - open up their minds and get a fuller experience on their next wave."


above: Surfer Grant Price on the Meyerhoffer board

Each section of the board is optimised for maximum performance, the design evolving into an incredibly complex shape with three different bottom contours that transitions smoothly into one other with its own purified purpose in an organic and seamlessly effective shape. Just like nature itself. The evolution of the Meyerhoffer has been a process of taking away more than adding to traditional forms, enabling Thomas a greater opportunity to shape the board.

From the wide tail through a minimal waist and into a more classic nose, the design brings short board elements into a longer board to maximize speed and turning, provides paddling ease and high performance nose riding. Every element of the board provides the ability for a smooth transition from front to back.


above: surfer Mike Tabling rides the Meyerhoffer board

GSI'S Managing Director, Mark Kelly, was also in high spirits about being named the winner of the Australian International Design Award. "I am absolutely stoked that we have won this award", he said. "Surfboard design for years has been via fine tuning processes, some so small they can hardly be noticed. Thomas Meyerhoffer helped take surfboard design a giant leap forward".

Evolution or revolution? "I think a bit of both. I am very proud to be part of this design and its launch into the marketplace around the world. The feedback has been great and this award tops it off.

"Global Surf Industries is a company for recreational surfers, and I cannot wait to give every surfer out there the opportunity to ride this innovative piece of modern design," concluded Mr. Kelly.

The Meyerhoffer surfboard is also one of 10 winners and finalists that will be part of a special exhibition at the Powerhouse Museum from July 3rd 2010.


Find a dealer for the Meyerhoffer Modern Surfboard.


images courtesy of Thomas Meyerhoffer, Meyerhoffer Surfboards, Global Surf Industries, and other cited sources.

Sunday, February 22, 2009

Electrolux Design Lab - Call For Entries for 2009



Electrolux Design Lab
Design Lab is an annual global design competition open to undergraduate and graduate industrial design students who are invited to present innovative ideas for household appliances of the future.

The brief for this year's competition: Designs for the next 90 years


Electrolux Design Lab 2009 invites undergraduate and graduate industrial design students around the world to create home appliances that will shape how people prepare and store food, wash clothes, and do dishes over the next nine decades.

The design ideas should address key consumer insights such as being adaptive to time and space, provide learning and allow for individualization.

Deadline: May 31, 2009
Finals:
London, September 24, 2009
Prizes:
•1st prize 5,000 Euro and a six-month paid internship at one of the Electrolux global design centers
•2nd prize 3,000 Euro
•3rd prize 2,000 Euro

Need some inspiration?
Here's last year's winning design, The Flatshare:


above: Stefan Buchberger, from the University of Applied Arts, Vienna, Austria, was chosen winner of the Electrolux Design Lab 2008 competition for inventing Flatshare.

Register for the competition here

Monday, January 5, 2009

Product Pick Of The Week: The Sema Table by Nurus

The Sema Table by Nurus:





The Sema small table series was designed by Alper Boler & Omer Unal for Nurus of Turkey.


above: Designers ömer ünal, 35 and alper böler, 33 of ünal & böler Studio (now operating as separate studios)




"sema" is the name given to the dance of the whirling dervishes which symbolizes the harmony and balance. Sema is a coffee table with a turning top and rotating bars below it which can be utilized in storing books, magazines and newspapers. It comes in various heights and sizes.







Awards:

The SEMA was a recipient of IF Design Award 2009, where 2,808 products from 39 countries competed. This is the 4th IF award for Nurus, the most ever won by a brand from Turkey.

Nurus website
Price is available upon request from the manufacturer.

Saturday, March 29, 2008

New 2008 Red Dot Design Award Winners!


Today, the red dot design award, the origins of which go back to 1955, is one of the largest and most renowned design competitions worldwide. It consists of the individual disciplines “red dot award: product design”, “red dot award: communication design”, and “red dot award: design concepts”, which has been held annually in Singapore since 2005. In 2007 the competition recorded more than 7,000 entries from 60 nations.

Product Design 2008 entries showed the growing importance of high-quality design: after receiving 2,548 entries in 2007, the competition received the record number of 3,203 entries from a total of 51 countries. In the face of an overall further increase in design quality the international jury of 24 was able to award the “red dot” quality label for good design 676 times this year. Fifty products even received the “red dot: best of the best”, the highest award of the competition, for their pioneering design and special innovations.

The jury’s assessment criteria


The submitted products are evaluated according to the highest standards. The adjudication process follows a canon of strict criteria, which is constantly adapted to the latest findings in formal, technical, manufacturing, societal, industrial and ecological requirements. These criteria provide a guiding framework, which is filled in individually by each juror.


Degree of innovation

Is the product new in itself or does it supplement an existing product with a new, desirable quality?

Functionality

Does the product fulfil all requirements of handling, usability, safety, and maintenance, and does the manual explain its use in a comprehensible way?

Ergonomics

Is the product adapted appropriately to the physical and, if necessary, psychic conditions of the user?

Self-explanatory quality

What does the product convey about its purpose and use without knowing the manual? How distinct are product semantics and product graphics?

Formal quality

How logical is the constructive structure and the congruity of the formal composition? How is the form related to the function?

Ecological compatibility

Are materials, material costs, manufacturing technology and energy consumption in an appropriate proportion to the product utility? To what extent have disposal problems and recycling issues been considered?

Durability

Have the product’s material, formal, and non-material value been designed for a long life-span?

Symbolic and emotional content

What does the product offer the user beyond its immediate practical purpose in terms of sensual quality, possibilities of a playful use or emotional attachment?

Product periphery

How is the product as part of a system integrated into the system environment? How have packaging and disposal issues been solved?


In addition to expected winners like Apple's iphone and the Playstation3, there were several beautifully designed lesser known products. Because there were so many winners and so many categories, I'm posting pictures of my own personal favorites (because..hey, it's my blog) from each category below:

1. Living rooms and bedrooms
Furniture, furniture accessories, textiles, floorings, wallpaper and decorations

Above: Carpet Dia Moho hej! designed by Michal Kopanisyn

Above: The Wishbone Coat rack by Frost

Above: Camoflauge wall hooks by Frost

2. Kitchens
Kitchen furniture, kitchen equipment and accessories, professional kitchens

Above: Bodum toaster

3. Households
Domestic appliances and machines, glass, ceramics, porcelain, cutlery and utensils


Above: Tupperware's Stainless Steel Professional Grade Knives

Above: Nailclipper by AWGoeddert

4. Bathrooms
heatings, sanitary installations and air-conditioning
Bathroom furnishings, accessories, sanitary installations, heating and air-conditioning technology

Above: Sensa Mare bathroom collection by Hoesch

Above: Eva Solo Toilet Paper Holder

5. Lighting and lamps
Indoor and outdoor lighting, lighting systems and installations, lighting accessories

Above: the City Swan by Philip Lys

Above: Mercury Suspension light by Ross Lovegrove for Artemide

6. Gardens
Garden furniture and architecture, landscaping, garden equipment, tents, camping and accessories

Above: Eva Solo Ceramic birdbath

Above: outdoor planter designed by Ingo Fotzel for Eternit

7. Sport, games and leisure
Sports and fitness equipment, bicycles and biking accessories, sports clothes and shoes, saunas, solariums, massage equipment, games, musical instruments

Above: ID2 Adidas Silhouette Goggles

Above: Wilhelm Schimmel piano fortefabrik

8. Jewellery, fashion and lifestyle
Glasses, watches, bags, suitcases, luxury jewellery, fashion jewellery and accessories

Above: Zheus readers by WP

Above: Omega Fine Leather Collection

above left: Danish Design watch by S.WeiszUurwerken
above right: Mario Botta watch

9. Architecture and interior design
Town-planning, building technology, public design, temporary architecture, exhibition design, shop design, shop equipment, interior design, sales displays, building components, switches, timers, security technology, windows, doors, orientation systems and signage, micro-architecture

Above: concrete tiles by Oberhauser SchedlerBau

Above: Samsung Engineering

10. Offices
Office furniture, office equipment, furniture for reception halls and waiting rooms, office accessories

Above: Management P2 Collection by Bene


Above: Task chair by MeToo

Above: Kinzo's Air Desk

11. Industry and crafts
Machines, industrial plant and equipment, components, tools, technology, measuring and testing equipment

Above: Eton's emergency radio, designed by Whipsaw

Above: Pfaff Sewing Machine

12. Life science and medicine
Medical equipment and devices, laboratory technology and furniture, medical furniture and sanitary equipment, furnishings for rehabilitation centers and hospitals

Above: Health Care Bed by Huntleigh

13. Automobiles, transport and caravans
Automobiles and automotive accessories, automobile technology, navigation equipment, caravans, construction and commercial vehicles, buses, railway carriages, sports vehicles, motorbikes, boats, ships, aircraft, accessories and components

Above : The Skoda Fabia

Above: Bombardier's Ski-Doo

14. Entertainment technology
TVs, DVDs, digital cameras, MP3 players, camcorders, hi-fi systems, sound systems, projectors, accessories

Above: Metz Primus EinsPlus HDTV

Above: the Cubo Elements from Sonoro Audio

Above: Bose's computer music monitor

Above: Inno B2 Compact Barbie MP3 player

15. Communication
Mobile phones, telephones and accessories

Above: Tatung Tricom conference system

Above: Tatung Bluetooth phone

16. Computers
Computers, notebooks, servers, keyboards, modems, printers, scanners, monitors, peripheral devices and accessories

Above: The cha cha series by Nova Design

Above: the FlyBook by Dialogue Tech

This year the design experts for the first time honored 137 products, which stood out from the masses due to their extremely successful detail solutions, with an honorable mention. Such an honorable mention is to encourage companies and designers to further increase their investment in design and quality and continue on the path they have taken.

All award-winning and honourable mention-winning products will be presented in the “Design on stage – winners red dot award: product design 2008” exhibition from 24 June to 27 July 2008 in the Essen red dot design museum on the premises of the ‘Zeche Zollverein’ World Cultural Heritage Site. With 1,500 products on more than 4,000 square metres, the red dot design museum houses the largest permanent exhibition of contemporary design worldwide.
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Below are the observed trends in design within each individual category of the red dot competition.

Trendspots 2008 by Red Dot
In the era of globalisation, cueing in on countries’ cultural traditions can be of great benefit in achieving differentiation in the market. Preserving the distinct features of individual cultures by means of design is thus of great import. No wonder then that design – as the language of a society – is placing more emphasis than ever on mindful details that give a product an identity of origin. For example, the umbrellas stashed inside the doors of any Rolls-Royce give the luxury car its unique British allure. Likewise, innovative interpretations of Asian culinary culture in kitchenware have special appeal for many. This year’s awards demonstrate: Design revolves around people! Contemporary product design not only has to be aesthetically pleasing, it must also trigger emotions and make everyday life as comfortable as possible. The design concepts we see today give us a taste for what tomorrow’s products may look like: As the world continues to come together, we benefit from an incredible diversity and an undreamt abundance of inspirations for unlimited design possibilities.

1. Living rooms and bedrooms – New design dimensions lead to new interpretations
The future is here – in the “living rooms and bedrooms” category, designers are putting more emphasis on the selection of materials. Newest technologies and manufacturing methods allow for the use of innovative materials that open up a vast range of possibilities for future design. Among the new materials are shiny, metallic net structures which, particularly popular in textile surfaces, allow to minimise the quantity of materials and convey a sense of lightness and freshness. The design of this category is clearly inspired by the new technical possibilities. Completely new design dimensions are being explored and innovatively applied. Moreover, the quality in the category is high throughout, with designers daring to set new standards. The design vocabulary is expressive and diverse – from sculptural opulence to purism, everything is possible. The smallest details are highly functional and perfectly designed, while decorative elements are applied with great artistry to set accents. Intelligent interpretations and utmost comfort – with their concepts, designers are catering to an extremely refined target group. In particular, the designers from this category have mastered the great challenge of transmitting well thought-out complexity with simplicity.

2. Households – Design as a mirror of society
Design should not only make everyday life more beautiful, it should also make it easier! Only well-designed, refined, and functional products can hope to survive on the market. Moreover, in this era of globalisation, design also serves to reflect on the cultural diversity of our planet. This year’s designers from the “households” category paid particular attention to social and cultural aspects. The submissions come from all parts of the globe and many of the awarded products combine highquality, innovative design with traditional qualities. Whereas design conventionally sought to be as universal as possible, it now seeks to distinguish the identity of a culture. In this way, designers transmit tradition in an original but technically perfected way. The underlying idea then attains a completely new, exposed meaning and becomes a source of inspiration. User-friendly solutions and easy operability are among the top priorities. Together with high quality that is nevertheless reduced to the essentials, the products then capture the pulse of the time. Design as communicator – with their design vocabulary, designers appeal to all the senses, awaken emotions, and promote the enhancement of everyday life.

3. Gardens – The garden as tomorrow's living space
In the “gardens” category as well, wellness is increasingly becoming a main design consideration. On the whole, gardens are still a relatively new design field which designers are slowly discovering and appropriating. Following years of progress in technological garden tools, designers are now concentrating on outdoor furniture and lifestyle items. The notion of the garden is thus changing from a utilitarian space to a more intimate living space. Precipitated by global warming, people can be expected to spend more time outside. The selection and high-quality design of outdoor furniture opens completely new perspectives. Innovative materials resist all kinds of weather, allow for new structures, and offer highest user comfort. The garden then becomes an oasis of relaxation. Traditional products are questioned, reinterpreted, and given a new face. The products are designed from a universal perspective and for all generations. They are highly functional, aesthetic, and above all easy to use. The design of new garden tools tries to simplify work through functional solutions. The more complex the technology, the more sophisticated the design has to be. The designers combine minimal and appealing forms with ingenious-yet-simple technology. In all concepts, people, the users, take centre stage. The designers combine good ideas with consummate skill and set standards for tomorrow’s market.

4. Automobiles, transport and caravans – Visual identity creates trust in the brand
The designers in the “automobiles, transport and caravans” category clearly place emphasis on the visual identity of vehicles. The increased need for mobility of our global society is accompanied by the increased need for visual differentiation among producers. Distinct details here serve to shape brands and anchor their image in car culture and history. Casual elegance and dynamic contours pervade all vehicle classes, while sports cars retain their characteristic aggressive expressiveness. The manufacturers thereby remain true to their values with a pronounced design vocabulary. The complex mechanisation in the automobile sector has clearly made for an impressive athletic appearance. For manufacturers, highest quality for materials and processing is a matter of course, just as is the assumption of social and ecological responsibility. Efficiency and safety have utmost priority and technical possibilities are exploited where possible. However, designers are not only preoccupied with the exterior of cars: To no lesser degree, interior design shows for top comfort and user-friendliness. Proud design concepts appeal to the emotions of the target clientele and with small, carefully thought-out details, designers create trust in a brand and convince clients. A good example of such a detail is the umbrella integrated in the door frames of any British Rolls-Royce.

5. Entertainment technology - Discreet restraint for highest aesthetics

Design is becoming increasingly important in the electronics industry. The international competition is getting stronger and calls for highest quality. The submissions in the “entertainment technology” category show the high esteem which design holds not only in business but also in society. The products now come from all parts of the world and their consistently exceptional quality has elevated the design standard as a whole. In the past years, design seems to have been lowered a notch in favour of an emphasis on the technical achievements. This year, however, design presented itself more confident than ever: Highly developed technology is implemented with experimental and innovative fervour and expressed with impressive design solutions. People are once again the focus of interest. Some design concepts also demonstrate wit and humour to promote the playful usage of a very compacted technology. Functional and reduced design also allows for highest user value. Discreet restraint, a good material selection, and a clear design vocabulary provide a high-quality aesthetics. The designers are open for everything and offer creative and comprehensive solutions that often have high entertainment value. This year’s expert jury was impressed by the diversity and the internationality of the submissions. The Asian market continues to have a very strong presence, with Asian designers delivering striking concepts that inspire new possibilities.

6. Communication – The simpler the design, the more convincing the service
The technology in the “communication” category has reached a plateau, resulting in a renewed focus on appearances on the part of designers. Designers vie to outdo each other with small finesses and the level of quality is consistently high. Given the complex mechanisation of the products, the ultimate challenge lies in a clear design vocabulary. The simpler the design, the more convincing the service. Cell phones are more differentiated than ever, be it in regard to colour, form, or function, and designers cater to the most varying target groups with a seemingly unlimited product selection. With the race for the sleekest device apparently concluded, producers are now placing increased emphasis on user-friendliness and a solid form. This year’s submissions leave no doubt that international design has become one of the most important economic factors. As always, the customer is the centre of interest. Technology requires a good form, and this form must engage the emotions for the product to succeed on the market. Demands can be expected to continue rising steadily in the future; however, the market is prepared for this challenge.

7. Computers - Top performance in minimal space
The computer industry operates on the market with a clear design vocabulary. Here as well the principle is: The more complex the technology, the more purist the design. Ultra-light design solutions and a delicate design vocabulary convey a transcendental touch and suggest dynamism and mobility. At this point, all devices are multifunctional and blend well into a modern-purist lifestyle. Integrative concepts offer numerous interfaces and individual components are visually finetuned to each other. The designers present future-oriented design concepts with minimal use of materials. With considerably increased demands placed on the computer sector within the last years, the design quality is now oriented toward the technical comfort of the devices. On the whole, the submissions showed an increased awareness for design. In particular the Chinese market is establishing its autonomy more and more on an international level. The designers have confidence in presenting their creative design variants, which increasingly cater to the modern lifestyle and which embody both mobility and success.


Be sure to see the 2009 Red Dot Award Winners here!

 
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